The Best Man Does Win

Finally the payoff for listening to KIIS in the morning…today Ry interviewed the two Davids, as well as Nigel, stage manager Debbie and vocal coach Byrd. Among the nuggets: DC said he felt like a big brother to Little David and was proud watching him perform last night even though "he was doing better than me." And he does call him Archey. Nigel informed that the two Davids had been scheduled to sing some dusty ballad as their duet, but it didn't sound very good so DC suggested "Hero" from Spiderman. Byrd mentioned that she saw everyone at their worst, and she had to scrape each of the contestants off the ceiling at one point or another during the season. Her favorite Cookism was, "Byrd, my head is too full." The Fetus didn't say much, but I did read in an article that he thought the judges were too hard on Cookie, which was sweet. Trying to practice being a gracious winner. Nigel also announced they were going to have a surprise guest…"the biggest star in the world RIGHT now." And then he added, "when I say that everyone assumes music." So, not music? Who would that be? Harrison Ford? DC says, "David Archuleta!" And Nigel agrees. Prescient, or red herring? Let's find out, shall we?
THIS…is the season finale! The two Davids are dressed in white and standing facing each other while Ry reads the intro. Wait…this looks familiar… "When we're together there's this feeling inside…when I'm f'ing you Ben Affleck I feel like I'm alive…they can't stop us…. " At least Ryan looks right at home as he steps between them. Hold on…snacking on … don't laugh … poptarts. Literally the only edible item in my house at the moment. Well I guess that's debatable. Anyway…

tvfan.ew.com


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My Concert with a Ghost Named Wally

Vanity! Vanity! All is vanity! So begins the book of Ecclesiastes about the futility of all human endeavors doomed to rust and dust. My reaction? Get over it, Ecclesiastes. You’re whining and I don’t believe it, at least the part that suggests that all human accomplishments are futile since they are destined to be forgotten. What the prophets leave out is the joy of our work; the time spent doing what we most love to do if we’re lucky, work that is often the greatest reward we will ever know in life, aside from love, for the pleasure of work is worth all our time and effort, despite its inevitably dusty outcome. Our work may not last but what does last? The Mona Lisa and some Gershwin tunes? After that, who can say? Reader alert: What follows is no biblical discussion, but a plug for a concert I am involved in next Tuesday.
On Tuesday, April 29th, at 6PM, some amazing actor/singers will be performing some twenty songs that I wrote for two musicals with the late composer Wally Harper. This is one of the Songbook series at the Donnell Library theatre in New York City under the direction of John Zndisarc. It’s a free concert, open to the public on a first come first seated basis, and the performers are among the finest of our New York theatre including Penny Fuller, Malcolm Gets, Marcus Neville, Christianne Tisdale, Terry Burrell, Lorna Hampson, Natalie Veneita Balcon, and Kendrick Jones.It promises to be the best time I’ve had in awhile, short of my taking orders from my bossy, brilliant, musical, soon to be three year old grand-daughter.
Most of the singers at this concert are performing as a tribute to Wally Harper, a much loved man of the musical theatre and little known outside of it; one who was remarkable for the generosity of his talents and his life. Wally’s surviving life partner, Allan Gruet will be there to represent him although I know that Wally’s ghost will be haunting that theatre Tuesday evening, puffing on a Lucky Strike, sprinkling ash where he shouldn’t, and giggling at some lewd and irreverent thought that just crossed his capacious mind, a thought that he can’t wait to share with me.

huffingtonpost.com


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'Pussycat Dolls Presents: Girlicious': Rock the boat

We’re down to the final half-dozen on Pussycat Dolls Presents: Girlicious. Soon, very soon, we’ll find out which girls will make it into the scintillating, exciting group no one’s talking about.
This week’s oddly avant garde video message tells the girls that their challenge is about "Star Quality" - the ability to stand out in a crowd and turn heads and blah blah blah. Sometimes when I watch these things, I feel like I’m watching an old Egoiste commercial (the one with the ladies randomly opening old-timey shuttered windows and yelling "Egoiste!" into European alleyways).
When they go to meet Robin, she tells them that the weakest member will go home. Tiffanie, Charlye and Chrystina are put in the first group to be singing "Thirteen Men" while Nichole, Natalie and Carrie will be singing "Sway," both songs performed in the Pussycat Doll lounge shows.
Since there are so few girls left, that whole "Enemy Camps" vibe they have going is finally starting to take its toll. Chrystina’s really upset by being in the group with her two sworn enemies and Natalie tries to comfort her.
Carrie has some vocal blending issues during dance rehearsal and Mikey wonders if she can be part of a group or if she’s an individual artist. It seems to me if she was with two other girls with strong voices, it may not be as much of an issue. Chrystina, for the second week in a row, is messing up the lyrics and is just really discombobulated by being in the group she’s in. Robin tells them that they need to learn how to get along and bond somehow because this may end up being the group. In other words, she told them to suck it up and get over themselves.
Robin wakes the girls up the next morning and packs them into a van for a surprise trip to the marina. The purpose is to shoot a video for the single "Leave Me Alone" they recorded for the vocal challenge. Directed by Robin’s brother Steven Antin, they’ll be filming on a yacht - first in groups for the chorus and then individually for the verses.

blog.zap2it.com


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'Young@Heart'

The Rolling Stones, as it turns out, are not the only senior citizens singing rock ‘n’ roll. Another, rather unexpected group is singing lyrics that are more cutting edge and performing on-screen antics that are considerably more amusing. You won’t believe the world of “Young@Heart,” but you’ll have a hard time resisting it.
The Young@Heart Chorus is a 24-member singing group from Northampton, Mass., average age 80, who spend a chunk of their golden years touring the world and singing covers of songs from groups like the Talking Heads, the Clash and Coldplay. It’s safe to say that the Ramones’ “I Wanna Be Sedated” has never had a more heartfelt rendition.
This may sound like a suspect enterprise, a musical gimmick impossible to embrace, but the reality is otherwise. For what the members of this uncanny chorus lack in pure ability they make up for in irrepressible spirits and a desire to simply have fun. It’s as much of a heady tonic for these folks to take on these unlikely lyrics as it is for us to watch it all go down.
Of course, when you’re of a certain age, learning rock lyrics is not always easy, and we look on as the group members scrutinize words with huge magnifying glasses and hold their ears as they listen to the loud originals.
But, under the firm-but-fair direction of Bob Cilman, who’s led the group for 25 years, these troupers slowly but surely rise to the occasion, delighted to have a purpose in life and as willing to have fun in the process as people one-quarter their age.
Directed by Stephen Walker, “Young@Heart” the film is similarly slow getting going. Walker, a British TV documentary maker, narrates the film himself, and his overly chipper voice-over initially borders on being intrusive.

calendarlive.com


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'In the Heights': Beats With a Latino Pulse

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Miranda wrote the music and the lyrics for this upbeat and up-tempo valentine to Upper Manhattan. Oh yeah: He’s also the evening’s star. Heck, for all I know, he had a hand in hanging the lights and designing the lobby posters.
Still, with some obvious help from librettist Quiara Alegr¿a Hudes, director Thomas Kail, choreographer Andy Blankenbuehler and a 24-member cast primed to get your juices flowing at all costs, Miranda has bequeathed to New York an evening of old-style, innocent pleasure.
The pulse of the show may throb to the rhythms
of hip-hop and salsa, but the impulse that drives
it is pure Broadway. Miranda and Hudes’s achievement here is to have placed on the stage a story infused with the flavors of urban Latino culture and mixed them agreeably with the formulas of musical theater.
“In the Heights” is a concoction as accessible to the old as it is to the young; even in its intermingling of Spanish and English — and most of it is in English — the show seems an attempt to invite all comers with open arms.
The American musical has long been the most parasitic of art forms, adapting itself to all manner of popular stories and styles, from the operetta to the rock concert. On this occasion, it takes its inspiration from the street life and music of the Dominicans and Puerto Ricans and Cubans who settled in the tenements and aging apartment buildings of a gritty uptown neighborhood known as Washington Heights. Hudes and Miranda manage to make "In the Heights" both an immigrant saga and an act of nostalgia, recalling the enclave for the mixture of aspiration and belonging that it engenders.

washingtonpost.com


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Guitar Licks That Resonate and Lyrics That Linger

ON his 12th studio album, “Mr. Love & Justice” (Anti-), due out April 22, Billy Bragg, troubadour of the oppressed and bard of the lovelorn, sings about — you guessed it — love and justice. Mr. Bragg, 50, fancies himself a bit of a punk rocker who writes songs tinged with soul and folk. His inspiration lies in the protest songs of the 1960s. His blend of humor and outrage is evident in songs like “The Johnny Carcinogenic Show,” in which he sings about “grandchildren you will never know.”
After playing at South by Southwest, on “Late Night With Conan O’Brien” and on a bill with the Pogues last month, Mr. Bragg returned home to England to relax with his family at their house on Chessel Beach. He begins his European tour this month with three days of songwriting workshops and a concert at Liverpool Prison on behalf of his foundation, Jail Guitar Doors, which puts guitars in the hands of inmates. He comes to America in June. While looking out his window at the waves, Mr. Bragg spoke by phone with Winter Miller about what he’s listening to now.
Ry Cooder is probably my guitar hero, as much for what he doesn’t play as what he plays. The economy of his playing is something to be admired at a time when guitar players tend to think the more notes you play the better you are. “My Name Is Buddy” (Nonesuch) is up my street because it’s capital-P Political. It’s the story of the Depression told by a cat named Buddy. This does sound a bit odd — he travels around with a mouse and a frog — but it works and hangs together beautifully.
There’s a lot of love in the songs; they fit well in the tradition. Woody Guthrie’s spirit runs through this record very strongly. Cooder plays stuff that we now refer to as Americana, but nobody called it that then. His excursions have been great, but for him to come back to where he began is pretty cool.

nytimes.com


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Television movies for the week of March 9

‘61. Fred MacMurray. The professor’s latest lab explosion creates “flubber,” glop that makes things bounce sky-high. (G) (2:00) TCM: Sun. 8 P.M. (CC)
‘97. Clint Eastwood. A veteran thief catches the president of the United States in adultery and a murder cover-up. (R) (2:30) WGN: Thu. 7:30 P.M. (CC)
‘06. Justin Long. After trying and failing to get into college, a high-school senior and his friends fool parents and peers by creating their own university. (PG-13) (1:35) MAX: Sun. 8 A.M. (CC)
‘88. Kelly McGillis. A lawyer crusades for her client, the victim of a barroom gang rape. (R) (2:00) WE: Fri. 4 P.M.
• Adam Sandler’s Eight Crazy Nights
‘02. Voices of Adam Sandler. Animated. During Hanukkah, a temperamental lout drinks, gets in trouble with the law and performs community service. (PG-13) (2:00) COMEDY: Thu. 8 A.M. (CC)
• The Addams Family
‘91. Anjelica Huston. Gomez, Morticia and their ghoulish household are prey to a scam involving long-lost Uncle Fester. (PG-13) (2:00) WGN: Sun. 2 P.M. (CC)
‘05. Charlize Theron. In the last city on Earth, underground rebels dispatch their top assassin to kill a government leader. (PG-13) (1:40) SHO: Sun. 12:35 P.M., 5:15 A.M. (CC)
• A.I. Assault ‘06. Joe Lando. A team of SEALs must deactivate two top-secret military robots running amok on a deserted island. (NR) (2:00) SCI-FI: Sat. 11 A.M.
• Air Force One
‘97. Harrison Ford. Demanding the release of a political prisoner, a terrorist and his gang hijack the U.S. president’s plane. (R) (2:30) TNT: Sun. 1 P.M. (CC)
• Akeelah and the Bee
‘06. Laurence Fishburne. Akeelah, an 11-year-old girl living in South Los Angeles, discovers she has a talent for spelling, which she hopes will take her to the National Spelling Bee. (PG) (2:00) TMC: Sun. 9:45 P.M., Fri. 8 P.M. (CC)

post-gazette.com


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Television movies for the week of March 9

‘61. Fred MacMurray. The professor’s latest lab explosion creates “flubber,” glop that makes things bounce sky-high. (G) (2:00) TCM: Sun. 8 P.M. (CC)
‘97. Clint Eastwood. A veteran thief catches the president of the United States in adultery and a murder cover-up. (R) (2:30) WGN: Thu. 7:30 P.M. (CC)
‘06. Justin Long. After trying and failing to get into college, a high-school senior and his friends fool parents and peers by creating their own university. (PG-13) (1:35) MAX: Sun. 8 A.M. (CC)
‘88. Kelly McGillis. A lawyer crusades for her client, the victim of a barroom gang rape. (R) (2:00) WE: Fri. 4 P.M.
• Adam Sandler’s Eight Crazy Nights
‘02. Voices of Adam Sandler. Animated. During Hanukkah, a temperamental lout drinks, gets in trouble with the law and performs community service. (PG-13) (2:00) COMEDY: Thu. 8 A.M. (CC)
• The Addams Family
‘91. Anjelica Huston. Gomez, Morticia and their ghoulish household are prey to a scam involving long-lost Uncle Fester. (PG-13) (2:00) WGN: Sun. 2 P.M. (CC)
‘05. Charlize Theron. In the last city on Earth, underground rebels dispatch their top assassin to kill a government leader. (PG-13) (1:40) SHO: Sun. 12:35 P.M., 5:15 A.M. (CC)
• A.I. Assault ‘06. Joe Lando. A team of SEALs must deactivate two top-secret military robots running amok on a deserted island. (NR) (2:00) SCI-FI: Sat. 11 A.M.
• Air Force One
‘97. Harrison Ford. Demanding the release of a political prisoner, a terrorist and his gang hijack the U.S. president’s plane. (R) (2:30) TNT: Sun. 1 P.M. (CC)
• Akeelah and the Bee
‘06. Laurence Fishburne. Akeelah, an 11-year-old girl living in South Los Angeles, discovers she has a talent for spelling, which she hopes will take her to the National Spelling Bee. (PG) (2:00) TMC: Sun. 9:45 P.M., Fri. 8 P.M. (CC)

post-gazette.com


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Got Me Going Lyrics

Tonight, the Top 10 guys take to the stage on American Idol. We’ll see how they do — and what this week’s theme is.
Judge Randy Jackson hopes the guys’ nerves are gone now that they’re through the first week, and Paula Abdul says they are finding their comfort level. Simon says everyone needs to "be better."
And this week’s theme is: the 1970s. Wow, what a departure from last week!
Michael Johns interviews about his love for tennis and how it helps keep him centered. He sings Fleetwood Mac’s "You Can Go Your Own Way." He’s a little bouncy and overly dependent on the vibrato for my tastes, but let’s turn to the judges. Randy says it wasn’t his best, but he got into it and let go. Paula says he’s "consistent, consistent" and has the whole crowd behind him. Simon: "Michael, it was OK; it was by far your weakest performance in the whole competition so far." He says he didn’t have "a moment." Michael says it’s been a dream of his to sing a Fleetwood Mac song, so, regardless of what Simon has to say, it was the right choice for him.
Jason Castro is very low-key and doesn’t seem to enjoy the whole interview process, calling himself out for making weird faces because he doesn’t know what to say. On stage, he’s got his guitar again, and he sings "I Just Want to Be Your Everything." The guitar de-discos it a little, which works in his favor in terms of Simon’s favorite "relevance" argument. Randy says that, minus the guitar, the vocals were only "OK." Paula thinks it was a clever choice but that next week, she’d like to see him without the guitar. Simon: "I thought the song was horrible." He says it was schmaltzy and didn’t suit him at all. "You didn’t do yourself any favors tonight." Well, so much for my interpretation. Heh.
Luke Menard says he’s part of an a capella group called Chapter 6 and that he loves the challenge because you have to be "flawless." He says it was the best preparation for AI. On stage, he sings Queen’s "Killer Queen." He is … not flawless. Nor is he "fastidious and precise," as the lyrics go. Randy says he picked a very difficult song and that this seemed more like his vibe, and that despite some pitch problems, it was good. Paula is glad he had a good week. Simon says: "It was a mistake. … You’re always going to be judged with the original. … You suffered by the comparison." He adds that it was "theatrical and verging on whiny." I feel like I watched a different performance than the judges (except maybe Simon). I even went back and watched it again, and I just really think an a capalla group singer should not have that many problems blending with backing singers.
Robbie Carrico talks to Ryan about how he has to prove his authenticity to Simon. In the interview, he says a surprising fact about him is that he drag-races cars (at tracks, not on the street). He hits the stage to sing "Hot Blooded." Randy says he’s not totally sure that Robbie has enough "uuuuuhhhh" (my best approximation) to be true rock. Paula says no one knows who you are but you. But she says he played it a little safe this week and that he lost his "character" somewhat in it. She suggests that he "up the ante." Simon says he doesn’t have to get that defensive and that he thought the vocal was pretty good tonight. Robbie says he’s just trying to absorb it all and step it up every week.
Danny Noriega interviews that something unexpected about him is that he was in a punk-rock band in the ninth grade. On stage, he sings "Superstar," and it’s decent but not super-engaging. Randy says he’s a fan because Danny’s such a fun guy, but that there were some problems with the song vocally. "I felt like you were thinking while you were singing every line. … Let it go." Paula says he has amazing vocal skill, but he needs to take a deep breath "and forget about us … just perform." Simon says this was better than last week’s disaster. He agrees that he was overconcentrating. Danny tells Ryan that he agrees that last week was a disaster, even though he gave Simon the head-bob about it. Simon says, "So you agree with me?" Danny: "-ish." Hee.
David Hernandez says he was in gymnastics when he was a kid and that he was pretty good at it back then. He comes out to sing "Papa Was a Rollin’ Stone." I really like his voice and I think he handles the song pretty well (with a little bobble on the final note). Paula gives him a standing o. Randy: "Now this is the David Hernandez that we fell in love with. … That’s how to put it down, show your personality, all those vocal skills." Paula says his voice pierces right to the heart and the notes are "right in the pocket. … Perfect." Simon: "David, this may surprise you, but in my opinion, that was the best vocal of the night so far. … I like that when you get some criticism, you don’t sulk; you treat it as a challenge."
Jason Yeager says he plays multiple instruments, and he’s largely self-taught. He sings the Doobie Brothers’ "Long Train Runnin’." This is a good match for his voice, I think, and a step up from last week’s "Moon River." His delivery is still a little cheeseball, but it’s still an improvement. Randy says the 1970s are one of the best times in music and that this song didn’t do him justice because it’s not a singer’s song. He says it was a little karaoke and kind of pitchy. Paula says, "From last week to this week, it was good to see this side of you." She says the song doesn’t have a lot of notes, so it didn’t show off his voice. Simon: "Last week was boring, this week was awkward and ordinary." He adds that the end was corny and that overall, he’s "a quite good singer who can’t perform." Jason says he thought about it long and hard and tried to dance and have fun this week.
Chikezie says his "crazy name" is Nigerian and that the true pronunciation got dropped a long time ago, but he’s used to it now. He sings "I Believe to My Soul," and it’s all right, but I’m not that into it. Randy disagrees, saying, "Chikezie is BACK! … This is the guy we fell in love with." Paula says it was brilliant and really fun. Simon says he looks better, he sounded better, it was a good choice of song, and that "it was a million times better than last week." Simon says Chikezie must have watched the tape of himself after the show last week and seen "the horrorshow that was you." He responds that the biggest problem was that he let Simon get to him and that kind of messed him up. He says he loves his suit and he would wear it again, but not on TV because you can’t do a replay: "Only you do that!" He tells Ryan that he lucked out beacuse the theme had one of his favorite songs, by Donny Hathaway, and also that one of the backup singers is Hathaway’s daughter Kenya.
David Cook says that he is a word nerd, which I can totally relate to. He comes out on stage bearing an electric guitar to perform "All Right Now." He manages to play to the crowd and work the guitar and stage without being too self-indulgent. Randy: "Listen, to me, you’re the real rocker of the boys this year. … I really liked this." Paula says he’s the real deal, and, "You’ve got it!" She calls it very smart, fun and relevant. Simon: "David, it was solid, it was sort of believable. I don’t think that film helped you. Tennis to drag racing to … crosswords." He adds that he doesn’t have any charisma, which is a problem. David backtalks and says then that it’s good he doesn’t have to win Simon over. Oh, just shut up and go sing some more! This is the part where you get judged.
David Archuleta is last up. He says that when he was 11, he got to meet all the season one finalists and sing for them. He’s going to sing "Imagine." He just has a lovely, pure voice, and I think I could listen to him all day. Randy: "Dog, that’s one of the best vocals I’ve ever heard on this show. … You were born to do exactly what you’re doing there." Paula, bawling: "David, you are ridiculous, I want to just squish you, squeeze your head off and dangle you from my rearview mirror. Honest to God, that was one of the most beautiful songs ever written and one of the most moving performances I’ve ever heard. You’re destined for superstardom." Simon says it is very, very risky to take on John Lennon, but it worked. He says David is the one to beat, and there are 19 very miserable other contestants.
Montage of the night’s performances, which reminds us that the three Davids did pretty darned good jobs tonight. Who were your favorites, and who do you think is at risk of getting the boot on Thursday?
(Photo of Michael Johns courtesy of Fox)

baltimoresun.com


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